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How to Color Match Footage in Premiere Pro

Premiere Pro's Color Match automatically matches one clip's color to another. Open Lumetri Color > Comparison View, line up your reference shot, and click Apply Match — Premiere analyzes both frames and grades your clip to match. You can even match to a still image or a movie screenshot.

What color matching does

Color matching aligns the tone, brightness, and color of one clip to another so mismatched footage looks like it belongs together. Use it to match stock footage to your main camera, blend b-roll with interview footage, or pull a creative look from a film reference — without touching curves or wheels.

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How to match two clips

Drop both clips in the timeline

Put the clip you want to fix and your reference clip on the timeline.

Open Comparison View

Select the clip you want to change, go to Window > Lumetri Color, and open the Comparison View tab.

Line up the reference

Scrub the timeline until your reference shot shows on the left of the comparison.

Apply Match

Click Apply Match. The clip on the right instantly updates its grade to match the reference.

Match a still image or movie look

You can match to a reference image too — even a screenshot from a film. Import the image, place it in the timeline, select the clip you want to adjust, scrub to the image frame in Comparison View, and hit Apply Match. It won't be pixel-perfect, but it gets you surprisingly close, fast.

Limitations and manual tweaks

Color Match is impressive, not magic. Expect to nudge tint, exposure, or saturation afterward, and lean on LUTs or Curves to refine. For YouTube content, client drafts, or quick turnarounds, though, it's one of the fastest ways to make footage feel cohesive.

Frequently asked questions

Open Lumetri Color Comparison View, select the clip to change, line up your reference shot on the left, and click Apply Match.

Yes. Import the image to your timeline, scrub to it in Comparison View, and Apply Match to grade your clip toward that reference.

No, but it is much faster. It is ideal for quick cohesion. For precise hero grades you will still want manual control or Resolve.

Auto-match gets you close but not perfect. Nudge tint, exposure, and saturation, or add a LUT, to finish the look.

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